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A closer look at using cabinetry to bring balance and purpose to tricky corners and unexpected features.
Published
Very few kitchens are perfectly square. Alcoves, chimney breasts, boxed in pipes and slightly uneven walls are all part of real homes. The trick isn’t hiding them. It’s planning cabinetry so those quirks feel intentional, not like something you’ve worked around at the last minute.
This guide looks at how to approach awkward spaces calmly, so the kitchen feels settled once it’s in daily use.
It’s tempting to fight awkward spaces, but kitchens work best when they respond to what’s already there.
An alcove doesn’t have to be a problem. A chimney breast doesn’t need disguising. When cabinetry follows the natural shape of the room, everything feels more relaxed. You stop noticing the odd bits because they start to make sense.
The goal isn’t to force symmetry everywhere. It’s to create balance where it matters.
Awkward spaces often feel awkward because the cabinetry around them feels interrupted.
Keeping unit sizes consistent where possible helps. Using the same widths above and below, or repeating proportions across a run, brings order to the space. Even when walls aren’t straight, this repetition gives the eye something calm to follow.
You feel it when the kitchen stops looking pieced together and starts to feel composed.
Not every cupboard needs to be prime storage. Some spaces are better used thoughtfully than forcefully.
A narrow gap beside a chimney breast, for example, doesn’t need to hold everyday items. It might be better suited to shelves for cookbooks, a slim cupboard for trays, or even left open to break up a run of units. An alcove can become a natural feature, whether that’s open shelving to show off favourite décor pieces or a tall unit that sits neatly in its own space.
Giving these spaces a clear, realistic role stops them feeling like leftovers. When each area has a job that suits its shape, the kitchen feels planned rather than patched together.
Sightlines are about what you see first, and what your eye keeps returning to.
For example, if a chimney breast sits in the middle of a wall, running the same cabinet style and colour either side helps it read as one calm backdrop, rather than three separate sections competing for attention. The chimney stops feeling like an interruption and starts to feel part of the design.
In tighter kitchens, ending a run of cabinets cleanly before a doorway or corner often feels better than squeezing in an extra cupboard. That breathing space can make the whole room feel wider, even though nothing’s moved.
That first, calm impression often makes the biggest difference once you’re living with the space.

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